Bach Bibliography
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Author : Williams, Peter
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Hurford, Peter; Williams, Peter F.:   Approaches to Bach Performance and Scholarship, then, now, next (Nov-Dec 2000)
2. Williams, Peter:   Bach: A Musical Biography. (2016), xiv, 704p
3. Williams, Peter:   Bach and the organ. MTimes 155/1926 (Spring 2014), 81-94
4. Williams, Peter:   French Elements in Bach. [cr]McGill1981 (1982), 13-19
5. Williams, Peter:   On Bach and the Organ. [p]ABS_Rochester (Sep 2012)
6. Williams, Peter:   Some remarks on organs, organ-playing and the studying of music. BIOSJ 28 (2004), 6-25
7. Williams, Peter:   The International Organ Competition, Leipzig, July 2000. OrganistsReview 86/4: 340 (Nov 2000), 336-337
8. Williams, Peter:   Tuning and Temperament. (2007)
9. Williams, Peter:   Two new editions of Bach's organ music: some questions arising. OrganYb 41 (2012), 183-212
10. Williams, Peter:   What is it to Write a Biography of J. S. Bach? Bach 45/1 (2014), 1-14
11. Williams, Peter F.:   2/4 Time and J. S. Bach. [p]AMS_Southeast (Mar 1988)
12. Williams, Peter F.:   A chaconne by Georg Böhm: a note on German composers and French styles. EarlyM 17/1 (Feb 1989), 43-54
13. Williams, Peter F.:   Again: Was J.S. Bach an expert on organs? OrganYb 36 (2007), 86-105
14. Williams, Peter F.:   A New History of the Organ from the Greeks to the Present Day. (1980), 233p
15. Williams, Peter F.:   Another book on JS Bach? MTimes 157/1934 (Spring 2016), 5-18
16. Williams, Peter F.:   Are we any closer to understanding Bach, the organist and organ-composer? [ce]IAOMillenniumBook (2000), 1-14
17. Williams, Peter F.:   Bach at Edinburgh. MTimes 104/1449 (Nov 1963), 815
18. Williams, Peter F.:   Bach, Handel, Scarlatti Tercentenary Essays. [ce]BHSTercentenaryEssays (1985), xiv, 363p
19. Williams, Peter F.:   Bach Organ Music. BBCMGuides 20 (1972), 71p
20. Williams, Peter F.:   Bach Recitatives. MTimes 115/1579 (Sep 1974), 747
21. Williams, Peter F.:   Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto? EarlyM 12/3 (Aug 1984), 345-354
22. Williams, Peter F.:   Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review. AmerOrganist(2) 20/ 6 (Jun 1986), 63-64
23. Williams, Peter F.:   Bach's Seven Fughette. MTimes 116/1589 (Jul 1975), 653, 655, 657
24. Williams, Peter F.:   Bach: The Goldberg Variations. CambridgeMHandb (2001), 101p
25. Williams, Peter F.:   Bach Thoughts from Edinburgh. MTimes 106/1472 (Oct 1965), 771-772
26. Williams, Peter F.:   Basso continuo on the Organ. MLetters 50/1, 2 (Jan; Apr 1969), 136-152; 230-245
27. Williams, Peter F.:   BWV 565: A toccata in D minor for Organ by J.S. Bach? EarlyM 9/3 (Jul 1981), 330-337
28. Williams, Peter F.:   Can editions of Bach or Scarlatti be entirely trusted? RCOJ 1 (2007), 18-28
29. Williams, Peter F.:   Considérations sur la nouvelle mesure à 2/4 au début du XVIIIe siècle. [cr]Metz1994 (1996), 85-98
30. Williams, Peter F.:   Decoding Bach 2: Clouds of witness. MTimes 141/1872 (Autumn 2000), 13-15
31. Williams, Peter F.:   Encounters with the Chromatic Fourth ... or, More on Figurenlehre. MTimes 126/1707-1708 (May-Jun 1985), 276-278; 339-343
32. Williams, Peter F.:   'Figurae' in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction. [ce]BHSTercentenaryEssays (1985), 327-346
33. Williams, Peter F.:   Figured Bass Accompaniment. (1970), 117, 131p
34. Williams, Peter F.:   Figurenlehre from Monteverdi to Wagner. 1: What is 'Figurenlehre'? MTimes 120/1636 (Jun 1979), 476-479
35. Williams, Peter F.:   Figurenlehre from Monteverdi to Wagner. 2: The chromatic 4th continued. MTimes 120/1637 (Jul 1979), 571-573
36. Williams, Peter F.:   Figurenlehre from Monteverdi to Wagner. 3: The suspirans. MTimes 120/1638 (Aug 1979), 648-650
37. Williams, Peter F.:   Figurenlehre from Monteverdi to Wagner. 4: 'Orfeo' and 'Meistersinger'. MTimes 120/1640 (Oct 1979), 816-818
38. Williams, Peter F.:   French overture conventions in the hands of the young Bach and Handel. BachStud 1 (1989), 183-193
39. Williams, Peter F.:   Frescobaldi's Fiori musicali and Bach. Recercare 24/1-2 (2012)
40. Williams, Peter F.:   Further on Changing Manuals in Works of J. S. Bach. OrganYb 29 (2000), 75-90
41. Williams, Peter F.:   Hints for performance in J. S. Bach's 'Clavierübung' prints. EarlyKeyboardJ 5 (1986-87), 29-44
42. Williams, Peter F.:   Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? [ce]KeyboardInBaroqueEurope (2003), 140-156
43. Williams, Peter F.:   Johann Sebastian Bach and the Basso Continuo. BaslerJbHistMpraxis 18 (1994), 67-86
44. Williams, Peter F.:   Johann Sebastian Bach's ideal organ. OrganistsReview 94/2 (May 2008), 7-13
45. Williams, Peter F.:   Johann Sebastian Bachs Orgelwerke 1. Präludien, Toccaten, Fantasien, Fugen, Sonaten, Concerti und Einzelwerke. (1996), 441p
46. Williams, Peter F.:   Johann Sebastian Bachs Orgelwerke. Band 2: Choralbearbeitungen. (1998), 476p
47. Williams, Peter F.:   Johann Sebastian Bachs Orgelwerke. Band 3: Liturgie, Kompositionstechnik, Instrumente und Aufführungspraxis. (2000), 365p
48. Williams, Peter F.:   Johann Sebastian Bachs Sonate in g-moll (BWV 1029)... ein siebtes Brandenburgisches Konzert? Concerto 2/4 (Jun 1985), 41-48
49. Williams, Peter F.:   J.S. Bach: A Life in Music. (2007), xi, 405p
50. Williams, Peter F.:   J. S. Bach and English Organ Music. MLetters 44/2 (Apr 1963), 140-151
51. Williams, Peter F.:   J. S. Bach: Ein Leben in der Musik. (2008), 575p
52. Williams, Peter F.:   J. S. Bach: Mass in B minor. EarlyM 12/1 (Feb 1984), 137,139,141
53. Williams, Peter F.:   J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 68 (1982), 131-142
54. Williams, Peter F.:   J. S. Bach's Well-tempered Clavier: A new approach. EarlyM 11/1, 3 (Jan, Jul 1983), 46-52; 332-339
55. Williams, Peter F.:   J.S. Bach y el compás de 2/4. Quodlibet 5 (Jun 1996), 3-18
56. Williams, Peter F.:   J. S. Bach y la distribución entre las manos derecha e izquierda. Quodlibet 18 (Oct 2000), 68-84
57. Williams, Peter F. (ed.):   Kunst der Fuge / Johann Sebastian Bach. EdEulenburg 1391 (1986), xlvi, 138p
58. Williams, Peter F.:   Két esettanulmány az elõadói gyakorlat és a notáció részleteinek témakörébõl; 1. J. S. Bach és a 2/4 metrum; 2. J. S. Bach és a balkéz-jobbkéz megosztás. BachTanulmanyok 4 (1995), 5-41; 25-41 Latin 2
59. Williams, Peter F.:   More on the question, Is there a 'Toccata and Fugue in D minor for Organ' by J. S. Bach? OrganYb 33 (2004), 139-143
60. Williams, Peter F. (ed.):   Musicalisches Opfer, BWV 1079 / Johann Sebastian Bach. EdEulenburg 1390 (1986), xxxviii, 51p
61. Williams, Peter F.:   Need Organists Pay Attention to Theorists of Rhetoric? Diapason 73/ 4:869 (Apr 1982), 3-4
62. Williams, Peter F.:   New Bach? [on recently discovered chorales] MTimes 126/1710 (Aug 1985), 452
63. Williams, Peter F.:   Noch einmal: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 72 (1986), 123-125
64. Williams, Peter F.:   Orugan Kyoku. [ce]BachJiten (1996), 294-298
65. Williams, Peter F.:   Playing and studying Bach: Where next? BIOSJ 24 (2000), 80-92
66. Williams, Peter F.:   Playing the organ works of Bach: Some case studies. (1987), 128p
67. Williams, Peter F.:   Public Executions and the Bach Passions. BachNotesABS 2 (Fall 2004), 1-4
68. Williams, Peter F.:   Recent questionable approaches to J. S. Bach. [fs]Tagliavini70 (2001), 553-572
69. Williams, Peter F.:   Some further Thoughts. DortmundBachF 6 (2003), 371-388
70. Williams, Peter F.:   Some observations on three keyboard-composers: Frescobaldi, J.S. Bach and Domenico Scarlatti. [fs]Owen (2005), 53-71
71. Williams, Peter F.:   Some Tercentenary Questions for the Performer. AmerOrganist(2) 19/ 1 (Jan 1985), 42-46
72. Williams, Peter F.:   Some thoughts on Italian elements in certain music of Johann Sebastian Bach. Recercare 11 (1999), 185-198
73. Williams, Peter F.:   Stop Press: Some questions about JS Bach and his organ music. MTimes 141/1870 (Spring 2000), 34-40
74. Williams, Peter F.:   Suggestions for Playing the Works of Bach--IV. Motifs in the Passacaglia. AmerOrganist(2) 18/ 2 (Feb 1984), 38-39
75. Williams, Peter F.:   Suggestions for Playing the Works of Bach--IX: The Italian music. AmerOrganist(2) 19/ 5 (May 1985), 74-75
76. Williams, Peter F.:   Suggestions for Playing the Works of Bach--VIII: Certain Early Preludes and Fugues: BWV 531 and 549. AmerOrganist(2) 19/ 4 (Apr 1985), 82-84
77. Williams, Peter F.:   Suggestions for Playing the Works of Bach--VII: The Smaller Pieces of Clavier-übung III. AmerOrganist(2) 19/ 3 (Mar 1985), 118-119
78. Williams, Peter F.:   Suggestions for Playing the Works of Bach--VI: The Larger Chorals of Clavier-übung III. AmerOrganist(2) 19/ 2 (Feb 1985), 56-57
79. Williams, Peter F.:   Suggestions for Playing the Works of Bach--V. Motifs in the Orgelbüchlein. AmerOrganist(2) 18/ 9 (Sep 1984), 44-45
80. Williams, Peter F.:   Suggestions for Playing the Works of Bach--XII: Stylistic Allusions in Certain Mature Preludes. AmerOrganist(2) 19/ 8 (Aug 1985), 38-40
81. Williams, Peter F.:   Suggestions for Playing the Works of Bach--XIV: Dividing Solo Lines Between the Hands; Clues to Articulation? AmerOrganist(2) 19/10 (Oct 1985), 117-119
82. Williams, Peter F.:   Suggestions for Playing the Works of Bach--X: The Transcriptions. AmerOrganist(2) 19/ 6 (Jun 1985), 44-46
83. Williams, Peter F.:   Suggestions for Playing the Works of Bach--XVI: More Organ Works by J. S. Bach? AmerOrganist(2) 19/12 (Dec 1985), 60-62
84. Williams, Peter F.:   Suggestions for Playing the Works of Bach--XV: Some Issues Raised in Certain Early Chorales. AmerOrganist(2) 19/11 (Nov 1985), 91-93
85. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach--I. AmerOrganist(2) 17/ 1 (Jan 1983), 45-47
86. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach-II. Harpsichord versus Organ in Six Trio Sonatas. AmerOrganist(2) 17/ 3 (Mar 1983), 50-52
87. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach--III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach? AmerOrganist(2) 17/ 9 (Sep 1983), 42-47
88. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach--XI: Chorale Fughettas. AmerOrganist(2) 19/ 7 (Jul 1985), 56-58
89. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach--XIII: Manual Changing in Certain Fugues. AmerOrganist(2) 19/ 9 (Sep 1985), 62-64
90. Williams, Peter F.:   Sui generis: some fashionable uses to which Bach is put. MTimes 141/1871 (Summer 2000), 8, 10, 12-15
91. Williams, Peter F.:   The Acquisitive Minds of Handel & Bach: Some Reflections on the Nature of 'Influences' [fs]Fisk (1986), 267-282
92. Williams, Peter F.:   The Chromatic Fourth. During Four Centuries of Music. (1998), 272p
93. Williams, Peter F.:   The European Organ 1450-1850. (1966), 336p
94. Williams, Peter F.:   The French Silbermann. MTimes 112/1535 (Jan 1971), 77-78
95. Williams, Peter F.:   The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. MQ 54/4 (Oct 1968), 503-523
96. Williams, Peter F.:   The Life of Bach. (2004), viii,219p
97. Williams, Peter F.:   The Musical Aims of J. S. Bach's 'Clavierübung III'. [gs]Dart (1981), 259-278
98. Williams, Peter F.:   The music of J.S. Bach: excerpts from the writings of Peter Williams. [fs]Williams70 (2007), 371-381
99. Williams, Peter F.:   The Organ Music of J. S. Bach. III: A Background. 3 (1984), 309p
100. Williams, Peter F.:   The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) (1980), 357p
101. Williams, Peter F.:   The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). 1 (1980), 365p
102. Williams, Peter F.:   The Organ Music of J. S. Bach. Second Edition. (2003), x, 624p
103. Williams, Peter F.:   The Organs of Saxony. MTimes 111/1533 (Nov 1970), 1141-1143
104. Williams, Peter F.:   The Snares and Delusions of Musical Rhetoric: Some Examples from recent writings on J. S. Bach. BaslerJbHistMpraxis [Sonderband] (1983), 230-240
105. Williams, Peter F.:   The Snares and Delusions of Notation: Bach's Early Organ Works. [ce]JSBOrganist (1986), 274-294
106. Williams, Peter F.:   Towards a close reading of Carl Philipp Emanuel Bach. FestschriftSer 13 (1994), 143-156
107. Williams, Peter F.:   Two case studies in performance practice and the details of notation: 1. J. S. Bach and 2/4 Time. EarlyM 21/4 (Nov 1993), 613-622
108. Williams, Peter F.:   Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution. EarlyM 22/1 (Feb 1994), 101-113
109. Williams, Peter F.:   Was Johann Sebastian Bach an Organ Expert or an Acquisitive Reader of Andreas Werckmeister? JAmerMInstrSoc 11 (1985), 38-54
110. Williams, Peter F:   Was J. S. Bach an expert on organs? BibDeputStoriaUmbria 6 (2008)
111. Williams, Peter F.:   Why do we need a new book on Bach's Organ Music? MReview 38/4 (1977), 249-257
112. Williams, Peter F.:   Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach. MQ 84/4 (Winter 2000), 756-775
113. Williams, Peter F.; Owen, Barbara:   The Organ. (1988), 438p
114. Williams, Peter J.:   The performance of dotted rhythms and upbeat figures in J. S. Bach with particular reference to his organ music. diss. (1977)
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